Bourriaud suggests that the new post-postmodern art is the “positive experience of disorientation through an art-form exploring all dimensions of the present, tracing lines in all directions of time and space.” In his view, the artists involved in this turn into “cultural nomads” who “transport [signs and ideas] from one point to another” as a way of resisting the “economic standardization imposed by globalization.”

While there is no doubt some truth in this, Bourriaud remains vague about what makes a picture or installation specifically altermodern. And, many of his buzzwords—nomadism, plurality, as well as the notion of an “other modernism”—remind one strongly of the postmodern sensibility itself.


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